Sunday, May 15, 2016

A Takarazuka Weekend in Taipei


      It has been a very social weekend with more action than I have seen in weeks if not months. Friday morning Leona and I took the scooter to the Taiwan Railroad to the HSR to the Taipei Metro When we arrived in Taipei, we went straight to Gu-Gong Station neat Taiwan University. We perused Eslite bookstore (buying nothing) and had Thai lunch at our favorite spot. 
     We went to see Takarazuka performs The Rose of Versailles at National Theater in Taipei.  The Takarazuka Revue (宝塚歌団 Takarazuka Kagekidan) is a Japanese all-female musical theater troupe based in Takarazuka, Hyogo Prefecture, Japan  . Women play all roles in lavish, Broadway-style productions of Western-style musicals, and sometimes stories adapted from shōjo manga and Japanese folktales. The troupe takes its name from the Hankyu Takarazuka rail line in suburban Osaka. The company is a division of the Hankyu Railway company; all members of the troupe are employed by the company. (Wikipedia) 
I commented on Facebook that the tone of the musical-dance review show from Japan made the Rockettes look like sluts. The three hour show was fun although I hardly understood Chinese word translated on LED screens from the Japanese libretto. The acting and costumes were dazzling. Leona absolutely loved it. Her brother and mom had seen a Taiwanese version of the all-female theater when he was a child; Leona was too young. It was always a dream of her mother to see the original Japanese cast, a dream Leona fulfilled for her.

Women make up the primary audience of Takarazuka; in fact, some estimates say the audience is 90 percent female. There exist two primary theories as to what draws these women to Takarazuka. One is that the women are drawn to its inherent lesbian overtones. One author states, "It was not masculine sexuality which attracted the Japanese girl audience but it was feminine eroticism". The competing theory is that the girls are not drawn to the implicit sexuality of Takarazuka, but instead are fascinated by the otokoyaku (the women who play male roles) "getting away with a male performance of power and freedom". (Wikipedia)

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